The Alhambra/Columbia (Spain) studio recording of Barbieri's Jugar con fuego under Ataulfo Argenta. zarzuela.net's recommended-recording entry, http://www.zarzuela.net/cd/cdmag/rec/rr115.htm, gives it as "Pilar Lorengar, Manuel Ausensi, Carlos Munguia, Antonio Campo. Coro de Camara del Orfeon Donostiarra, Orquesta Sinfonica, c. Ataulfo Argenta / Novoson Z-540" and calls it "the only substantially complete recorded performance" of the work. Spanish Wikipedia's Argenta discography lists the same set with Teresa Berganza added and the forces as "Coro de Camara del Orfeon Donostiarra, Gran Orquesta Sinfonica, Ataulfo Argenta, director" (https://es.wikipedia.org/wiki/Ata%C3%BAlfo_Argenta). A libretto of the sung numbers that arrived with the rip names the same performers and cites the issue as BMG Ariola Espana / Alhambra WD 74556. Role assignment: zarzuela.net names Ausensi as "the coarse, braggardly comic villain at the centre of the plot", which is the Marques de Caravaca; the rest follow by voice type and elimination from the dramatis personae in Spanish Wikipedia (Duquesa soprano - Lorengar; Felix tenor lirico - Munguia; El Duque bajo - Campo; Berganza as the mezzo Condesa), and are billed in that order by every source. Year 1955 is from the arrival path and is not independently sourced; it is consistent with findopera's own dating of the identically cast Alhambra sibling La dogaresa (recording 11845, 1955, Lorengar/Ausensi/Munguia/Berganza/Campo, same chorus and orchestra). Orchestra and chorus written to match that record.

The Alhambra/Columbia (Spain) studio recording of Barbieri's Jugar con fuego under Ataulfo Argenta. zarzuela.net's recommended-recording entry, http://www.zarzuela.net/cd/cdmag/rec/rr115.htm, gives it as "Pilar Lorengar, Manuel Ausensi, Carlos Munguia, Antonio Campo. Coro de Camara del Orfeon Donostiarra, Orquesta Sinfonica, c. Ataulfo Argenta / Novoson Z-540" and calls it "the only substantially complete recorded performance" of the work. Spanish Wikipedia's Argenta discography lists the same set with Teresa Berganza added and the forces as "Coro de Camara del Orfeon Donostiarra, Gran Orquesta Sinfonica, Ataulfo Argenta, director" (https://es.wikipedia.org/wiki/Ata%C3%BAlfo_Argenta). A libretto of the sung numbers that arrived with the rip names the same performers and cites the issue as BMG Ariola Espana / Alhambra WD 74556. Role assignment: zarzuela.net names Ausensi as "the coarse, braggardly comic villain at the centre of the plot", which is the Marques de Caravaca; the rest follow by voice type and elimination from the dramatis personae in Spanish Wikipedia (Duquesa soprano - Lorengar; Felix tenor lirico - Munguia; El Duque bajo - Campo; Berganza as the mezzo Condesa), and are billed in that order by every source. Year 1955 is from the arrival path and is not independently sourced; it is consistent with findopera's own dating of the identically cast Alhambra sibling La dogaresa (recording 11845, 1955, Lorengar/Ausensi/Munguia/Berganza/Campo, same chorus and orchestra). Orchestra and chorus written to match that record.

The Alhambra/Columbia (Spain) studio recording of Barbieri's Jugar con fuego under Ataulfo Argenta. zarzuela.net's recommended-recording entry, http://www.zarzuela.net/cd/cdmag/rec/rr115.htm, gives it as "Pilar Lorengar, Manuel Ausensi, Carlos Munguia, Antonio Campo. Coro de Camara del Orfeon Donostiarra, Orquesta Sinfonica, c. Ataulfo Argenta / Novoson Z-540" and calls it "the only substantially complete recorded performance" of the work. Spanish Wikipedia's Argenta discography lists the same set with Teresa Berganza added and the forces as "Coro de Camara del Orfeon Donostiarra, Gran Orquesta Sinfonica, Ataulfo Argenta, director" (https://es.wikipedia.org/wiki/Ata%C3%BAlfo_Argenta). A libretto of the sung numbers that arrived with the rip names the same performers and cites the issue as BMG Ariola Espana / Alhambra WD 74556. Role assignment: zarzuela.net names Ausensi as "the coarse, braggardly comic villain at the centre of the plot", which is the Marques de Caravaca; the rest follow by voice type and elimination from the dramatis personae in Spanish Wikipedia (Duquesa soprano - Lorengar; Felix tenor lirico - Munguia; El Duque bajo - Campo; Berganza as the mezzo Condesa), and are billed in that order by every source. Year 1955 is from the arrival path and is not independently sourced; it is consistent with findopera's own dating of the identically cast Alhambra sibling La dogaresa (recording 11845, 1955, Lorengar/Ausensi/Munguia/Berganza/Campo, same chorus and orchestra). Orchestra and chorus written to match that record.

The Alhambra/Columbia (Spain) studio recording of Barbieri's Jugar con fuego under Ataulfo Argenta. zarzuela.net's recommended-recording entry, http://www.zarzuela.net/cd/cdmag/rec/rr115.htm, gives it as "Pilar Lorengar, Manuel Ausensi, Carlos Munguia, Antonio Campo. Coro de Camara del Orfeon Donostiarra, Orquesta Sinfonica, c. Ataulfo Argenta / Novoson Z-540" and calls it "the only substantially complete recorded performance" of the work. Spanish Wikipedia's Argenta discography lists the same set with Teresa Berganza added and the forces as "Coro de Camara del Orfeon Donostiarra, Gran Orquesta Sinfonica, Ataulfo Argenta, director" (https://es.wikipedia.org/wiki/Ata%C3%BAlfo_Argenta). A libretto of the sung numbers that arrived with the rip names the same performers and cites the issue as BMG Ariola Espana / Alhambra WD 74556. Role assignment: zarzuela.net names Ausensi as "the coarse, braggardly comic villain at the centre of the plot", which is the Marques de Caravaca; the rest follow by voice type and elimination from the dramatis personae in Spanish Wikipedia (Duquesa soprano - Lorengar; Felix tenor lirico - Munguia; El Duque bajo - Campo; Berganza as the mezzo Condesa), and are billed in that order by every source. Year 1955 is from the arrival path and is not independently sourced; it is consistent with findopera's own dating of the identically cast Alhambra sibling La dogaresa (recording 11845, 1955, Lorengar/Ausensi/Munguia/Berganza/Campo, same chorus and orchestra). Orchestra and chorus written to match that record.

The Alhambra/Columbia (Spain) studio recording of Barbieri's Jugar con fuego under Ataulfo Argenta. zarzuela.net's recommended-recording entry, http://www.zarzuela.net/cd/cdmag/rec/rr115.htm, gives it as "Pilar Lorengar, Manuel Ausensi, Carlos Munguia, Antonio Campo. Coro de Camara del Orfeon Donostiarra, Orquesta Sinfonica, c. Ataulfo Argenta / Novoson Z-540" and calls it "the only substantially complete recorded performance" of the work. Spanish Wikipedia's Argenta discography lists the same set with Teresa Berganza added and the forces as "Coro de Camara del Orfeon Donostiarra, Gran Orquesta Sinfonica, Ataulfo Argenta, director" (https://es.wikipedia.org/wiki/Ata%C3%BAlfo_Argenta). A libretto of the sung numbers that arrived with the rip names the same performers and cites the issue as BMG Ariola Espana / Alhambra WD 74556. Role assignment: zarzuela.net names Ausensi as "the coarse, braggardly comic villain at the centre of the plot", which is the Marques de Caravaca; the rest follow by voice type and elimination from the dramatis personae in Spanish Wikipedia (Duquesa soprano - Lorengar; Felix tenor lirico - Munguia; El Duque bajo - Campo; Berganza as the mezzo Condesa), and are billed in that order by every source. Year 1955 is from the arrival path and is not independently sourced; it is consistent with findopera's own dating of the identically cast Alhambra sibling La dogaresa (recording 11845, 1955, Lorengar/Ausensi/Munguia/Berganza/Campo, same chorus and orchestra). Orchestra and chorus written to match that record.

The Alhambra/Columbia (Spain) studio recording of Barbieri's Jugar con fuego under Ataulfo Argenta. zarzuela.net's recommended-recording entry, http://www.zarzuela.net/cd/cdmag/rec/rr115.htm, gives it as "Pilar Lorengar, Manuel Ausensi, Carlos Munguia, Antonio Campo. Coro de Camara del Orfeon Donostiarra, Orquesta Sinfonica, c. Ataulfo Argenta / Novoson Z-540" and calls it "the only substantially complete recorded performance" of the work. Spanish Wikipedia's Argenta discography lists the same set with Teresa Berganza added and the forces as "Coro de Camara del Orfeon Donostiarra, Gran Orquesta Sinfonica, Ataulfo Argenta, director" (https://es.wikipedia.org/wiki/Ata%C3%BAlfo_Argenta). A libretto of the sung numbers that arrived with the rip names the same performers and cites the issue as BMG Ariola Espana / Alhambra WD 74556. Role assignment: zarzuela.net names Ausensi as "the coarse, braggardly comic villain at the centre of the plot", which is the Marques de Caravaca; the rest follow by voice type and elimination from the dramatis personae in Spanish Wikipedia (Duquesa soprano - Lorengar; Felix tenor lirico - Munguia; El Duque bajo - Campo; Berganza as the mezzo Condesa), and are billed in that order by every source. Year 1955 is from the arrival path and is not independently sourced; it is consistent with findopera's own dating of the identically cast Alhambra sibling La dogaresa (recording 11845, 1955, Lorengar/Ausensi/Munguia/Berganza/Campo, same chorus and orchestra). Orchestra and chorus written to match that record.