Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.

Live in-house recording of the Dodin Mariinsky/Chatelet production at the Mariinsky Theatre. Primary document is the .nfo distributed with the recording (Anton Rubinstein - THE DEMON 00 [LIVE in house].nfo, in the folder), which gives the full cast, the Kirov Opera of the Mariinsky Theatre, Gergiev, and "Recorded July 15, 2003", with per-scene timings that match the eight audio files to the second (13:24 / 14:20 / 29:20 / 22:45 / 19:03 / 13:23 / 33:14 / 4:09). It is NOT the Paris performance already held as recording 8276 (Theatre du Chatelet, 1 and 3 February 2003, broadcast France Musique 1 March 2003, per opera-collection.net/compr/rubinsteina.htm): that night had Evstafieva as the Angel, Savova as the Nurse, Levinsky as Sinodal, Kit as Gudal, Okhotnikov as the Servant and Timchenko as the Messenger, where this one has Savova as the Angel, Markova-Mikhailenko as the Nurse, Akimov as Sinodal, Bezzubenkov as Gudal, Petrenko as the Servant and Vikhrov as the Messenger. Whole-rip waveform correlation against rip-5144 (the Paris rip) confirms two different performances: median r 0.071 with the lag wandering over thousands of seconds, against median r 0.903 with a step-wise flat lag for a cross-format positive control (findopera-2142 flac vs mp3), and r 1.000 at lag 0 on a self-test. The Dodin staging reached St Petersburg in June 2003 (Kommersant review, 9 June 2003), so a 15 July 2003 performance falls inside its first St Petersburg run; no house archive covers the Mariinsky in 2003, so the day and month rest on the .nfo alone.