Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.

Wiener Staatsoper, 12 February 1992, cond. Leopold Hager. Source: the house Spielplanarchiv, https://archiv.wiener-staatsoper.at/performances/10740, which gives the full Besetzung for 12.02.1992 and matches the Word cast sheet distributed with the recording role for role, down to Jankel (Stangl) and the three Spieler (Traunmuller, Lichtenberger, Heigl). Same revival as 15.01.1992 under Ulf Schirmer, and the same Arabella (Coelho), Adelaide (Jahn), Waldner (Sramek), Matteo (Kuebler) and Dominik (Glashof) -- but a different conductor and a different Zdenka, Mandryka, Elemer, Lamoral and Fiakermilli, so a separate recording. The two rips were correlated end to end and do not lock (lag spread 148 s, median |r| 0.077, against a 191k-vs-48k control on the same tape that held lag flat at 0.000 s with |r| 0.999). NOTE: the cast sheet in the folder contradicts itself -- its role list and its own document title give Oskar Hillebrandt as Mandryka, but a summary block lower down names Wolfgang Schone, who sang the January night; the house archive settles it for Hillebrandt. Walk-on roles omitted. Peter Koves is entered as singer 9239; findopera also holds 10562 (Peter Koves) which looks like the same person. Filed from a private broadcast recording in the CCDB archive.