Splitting two different performances that were sharing recording 5757. Opera de Lausanne staged La grotta di Trofonio in March 2005; Ambroisie recorded sessions there on 7-14 March (AMB 9986, "Recorded by Musica Numeris 7-14/03/2005"), and a performance on 15 March was broadcast. rip-1895 is the broadcast: its files and cast sheet are dated 15.03.2005, and waveform correlation against the commercial CD shows no lock at all (9 probes, lags spanning 3939.7 s, median |r| 0.117) against a self-test of r 1.000 and a cross-format control of 0.999 run through the same script in the same run. Same production and cast, different night. 5757 keeps the commercial set (its orchestra and chorus match the Ambroisie credits exactly and it now carries that UPC); this record takes the broadcast, and 5757 day 15 - which came from this broadcast - is being unset.

Splitting two different performances that were sharing recording 5757. Opera de Lausanne staged La grotta di Trofonio in March 2005; Ambroisie recorded sessions there on 7-14 March (AMB 9986, "Recorded by Musica Numeris 7-14/03/2005"), and a performance on 15 March was broadcast. rip-1895 is the broadcast: its files and cast sheet are dated 15.03.2005, and waveform correlation against the commercial CD shows no lock at all (9 probes, lags spanning 3939.7 s, median |r| 0.117) against a self-test of r 1.000 and a cross-format control of 0.999 run through the same script in the same run. Same production and cast, different night. 5757 keeps the commercial set (its orchestra and chorus match the Ambroisie credits exactly and it now carries that UPC); this record takes the broadcast, and 5757 day 15 - which came from this broadcast - is being unset.

Splitting two different performances that were sharing recording 5757. Opera de Lausanne staged La grotta di Trofonio in March 2005; Ambroisie recorded sessions there on 7-14 March (AMB 9986, "Recorded by Musica Numeris 7-14/03/2005"), and a performance on 15 March was broadcast. rip-1895 is the broadcast: its files and cast sheet are dated 15.03.2005, and waveform correlation against the commercial CD shows no lock at all (9 probes, lags spanning 3939.7 s, median |r| 0.117) against a self-test of r 1.000 and a cross-format control of 0.999 run through the same script in the same run. Same production and cast, different night. 5757 keeps the commercial set (its orchestra and chorus match the Ambroisie credits exactly and it now carries that UPC); this record takes the broadcast, and 5757 day 15 - which came from this broadcast - is being unset.

Splitting two different performances that were sharing recording 5757. Opera de Lausanne staged La grotta di Trofonio in March 2005; Ambroisie recorded sessions there on 7-14 March (AMB 9986, "Recorded by Musica Numeris 7-14/03/2005"), and a performance on 15 March was broadcast. rip-1895 is the broadcast: its files and cast sheet are dated 15.03.2005, and waveform correlation against the commercial CD shows no lock at all (9 probes, lags spanning 3939.7 s, median |r| 0.117) against a self-test of r 1.000 and a cross-format control of 0.999 run through the same script in the same run. Same production and cast, different night. 5757 keeps the commercial set (its orchestra and chorus match the Ambroisie credits exactly and it now carries that UPC); this record takes the broadcast, and 5757 day 15 - which came from this broadcast - is being unset.

Splitting two different performances that were sharing recording 5757. Opera de Lausanne staged La grotta di Trofonio in March 2005; Ambroisie recorded sessions there on 7-14 March (AMB 9986, "Recorded by Musica Numeris 7-14/03/2005"), and a performance on 15 March was broadcast. rip-1895 is the broadcast: its files and cast sheet are dated 15.03.2005, and waveform correlation against the commercial CD shows no lock at all (9 probes, lags spanning 3939.7 s, median |r| 0.117) against a self-test of r 1.000 and a cross-format control of 0.999 run through the same script in the same run. Same production and cast, different night. 5757 keeps the commercial set (its orchestra and chorus match the Ambroisie credits exactly and it now carries that UPC); this record takes the broadcast, and 5757 day 15 - which came from this broadcast - is being unset.

Splitting two different performances that were sharing recording 5757. Opera de Lausanne staged La grotta di Trofonio in March 2005; Ambroisie recorded sessions there on 7-14 March (AMB 9986, "Recorded by Musica Numeris 7-14/03/2005"), and a performance on 15 March was broadcast. rip-1895 is the broadcast: its files and cast sheet are dated 15.03.2005, and waveform correlation against the commercial CD shows no lock at all (9 probes, lags spanning 3939.7 s, median |r| 0.117) against a self-test of r 1.000 and a cross-format control of 0.999 run through the same script in the same run. Same production and cast, different night. 5757 keeps the commercial set (its orchestra and chorus match the Ambroisie credits exactly and it now carries that UPC); this record takes the broadcast, and 5757 day 15 - which came from this broadcast - is being unset.

Splitting two different performances that were sharing recording 5757. Opera de Lausanne staged La grotta di Trofonio in March 2005; Ambroisie recorded sessions there on 7-14 March (AMB 9986, "Recorded by Musica Numeris 7-14/03/2005"), and a performance on 15 March was broadcast. rip-1895 is the broadcast: its files and cast sheet are dated 15.03.2005, and waveform correlation against the commercial CD shows no lock at all (9 probes, lags spanning 3939.7 s, median |r| 0.117) against a self-test of r 1.000 and a cross-format control of 0.999 run through the same script in the same run. Same production and cast, different night. 5757 keeps the commercial set (its orchestra and chorus match the Ambroisie credits exactly and it now carries that UPC); this record takes the broadcast, and 5757 day 15 - which came from this broadcast - is being unset.