Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20

Concert performance, Queen Elizabeth Hall, London, 10 April 1992, broadcast live. The event is corroborated outside the folder: the Ermione article on Wikipedia (https://en.wikipedia.org/wiki/Ermione, "20th century and beyond") records that "In Britain, a concert performance took place at the Queen Elizabeth Hall on 10 April 1992", between the 1987 Pesaro staging and the 1995 Glyndebourne one. operadis lists nine Ermione recordings and does not have this one (http://www.operadis-opera-discography.org.uk/CLROERMI.HTM), which is what it says it will do with private and broadcast material of this kind. The cast, conductor, orchestra and chorus come from the only document in the folder: a Word file, "Ermione - 1992.04.10 (Elder, London) cast.doc", authored by one Chris May in May 2004 -- a collector s typed note rather than a house cast sheet -- reading "Ermione / Broadcast live on 10th April 1992 live from the Queen Elizabeth Hall, London / Ermione: Anna Caterina Antonacci / Andromaca: Judith Forst / Pirro: Keith Lewis / Oreste: Bruce Ford / Pilade: Jazeck Laszczkowski / Fenicio: Peter Sidhom / Attalo: Michael Preston-Roberts / Cefisa: Julie Gossage / Cleone: Anne Durbic / New Company Chorus / Orchestra of the Age of Enlightenment, conductor Mark Elder". It is credible in that its obscure names -- Jacek Laszczkowski, Michael Preston-Roberts, Julie Gossage -- are all already findopera singers, but no house or broadcast archive has been found to confirm the personnel; BBC Genome, which would settle it from the Radio Times listing, is behind an AWS WAF challenge that refuses scripted access. Cleone (Anne Durbic) is left out rather than creating a singer on this document alone. The audio is two mp3s at 256 kb/s, 1:31:16 and 0:56:33, and it is a distinct performance: envelope cross-correlation against the two Antonacci-era Ermione rips in the library gives no lock at all -- against rip-5738 (8762, Rome 1991) median r 0.446, margin +0.012, 3 of 24 probes within 30 s of the median lag, and against rip-4829 (1632, Pesaro 1987) 0.430, +0.015, 0 of 20, where the known-same control in the same pass reads 0.782 / +0.20 / 15 of 20