Claude Terrasse, "La fiancee du scaphandrier" (bouffonnerie lyrique, 1902, libretto by Franc-Nohain). Les Malins Plaisirs, new production directed by Vincent Tavernier, Theatre de Montreuil-sur-Mer, August 2003; Benjamin Levy conducting (and playing percussion), in Takenori Nemoto's reorchestration. Sources, both saved with the recording. (1) ConcertoNet, review by Christophe Vetter, "Terrasse, un oublie de la Belle Epoque" (in the folder as "review.php.htm", and still live at http://www.concertonet.com/scripts/review.php?ID_review=2029 ). It gives the cast by role -- Marie-Louise Duthoit (Elisa), Emmanuelle Goize (La Baronne), Loic Boissier (Le Baron Alexis), Christophe Grapperon (Julot), Sebastien Lagrave (Le cantonnier Bezard) -- plus "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)", Nicolas Ducloux (chef de chant), Takenori Nemoto (reorchestration), and gives the work's playing time as "une heure vingt". A review is written after the night, so it beats the company's own advance page on the cast. (2) The company's own production page (in the folder as "info.htm"), headed "Les Malins Plaisirs - 12 au 27 aout 2003 - Montreuil-sur-mer", naming the same five singers under "Avec :" with Levy, Tavernier and Ducloux. Date. The performance is one of five nights, and nothing in the folder or in either source says which, so `day` is deliberately left unset. The two sources agree on the run: the company page lists "mardi 12 aout a 21h / mardi 19 aout a 18h30 / vendredi 22 aout a 18h30 / lundi 25 aout a 18h30 / mercredi 27 aout a 21h", and the ConcertoNet header reads "08/12/2003 - et les 19, 22*, 25 et 27 aout 2003", i.e. the same five dates with 12 August written American-style and an asterisk on the night the reviewer attended. Month and year are therefore firm; the day is not. Place. The folder name says "Lille". That is ConcertoNet's regional heading, not the venue: both sources put the performances in the theatre at Montreuil-sur-Mer, which the review describes as "a une centaine de kilometres de Lille". A NOTE.md has been left beside the files saying so. Completeness. The single mp3 decodes to 1:19:57, against the review's "une heure vingt" for the whole piece. Orchestra left unset on purpose. The only ensemble credit either source gives is the review's bare "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)". That reads as a description rather than a name, and nothing else names the band, so recording it would have findopera assert an ensemble that may not exist under that title. Scope and billing. findopera already holds the work as opera 1773 (Terrasse), so this is a filing, not a new opera. The opera had no characters recorded at all; the five in this cast were created from the sources above. The title figure -- the diver's fiancee -- is Elisa, who is in the cast and sings, so she carries top billing along with La Baronne and Le Baron Alexis, the order the folder itself bills. Composer note. The ConcertoNet review prints "Claude Terrasse (1897-1923)" and that error has propagated into the arrival path of this folder. findopera has him right at 1867-1923; no change was made. Not in findopera before this: `search recording "fiancee du scaphandrier"` returned nothing, and opera 1773 had no recordings.

Claude Terrasse, "La fiancee du scaphandrier" (bouffonnerie lyrique, 1902, libretto by Franc-Nohain). Les Malins Plaisirs, new production directed by Vincent Tavernier, Theatre de Montreuil-sur-Mer, August 2003; Benjamin Levy conducting (and playing percussion), in Takenori Nemoto's reorchestration. Sources, both saved with the recording. (1) ConcertoNet, review by Christophe Vetter, "Terrasse, un oublie de la Belle Epoque" (in the folder as "review.php.htm", and still live at http://www.concertonet.com/scripts/review.php?ID_review=2029 ). It gives the cast by role -- Marie-Louise Duthoit (Elisa), Emmanuelle Goize (La Baronne), Loic Boissier (Le Baron Alexis), Christophe Grapperon (Julot), Sebastien Lagrave (Le cantonnier Bezard) -- plus "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)", Nicolas Ducloux (chef de chant), Takenori Nemoto (reorchestration), and gives the work's playing time as "une heure vingt". A review is written after the night, so it beats the company's own advance page on the cast. (2) The company's own production page (in the folder as "info.htm"), headed "Les Malins Plaisirs - 12 au 27 aout 2003 - Montreuil-sur-mer", naming the same five singers under "Avec :" with Levy, Tavernier and Ducloux. Date. The performance is one of five nights, and nothing in the folder or in either source says which, so `day` is deliberately left unset. The two sources agree on the run: the company page lists "mardi 12 aout a 21h / mardi 19 aout a 18h30 / vendredi 22 aout a 18h30 / lundi 25 aout a 18h30 / mercredi 27 aout a 21h", and the ConcertoNet header reads "08/12/2003 - et les 19, 22*, 25 et 27 aout 2003", i.e. the same five dates with 12 August written American-style and an asterisk on the night the reviewer attended. Month and year are therefore firm; the day is not. Place. The folder name says "Lille". That is ConcertoNet's regional heading, not the venue: both sources put the performances in the theatre at Montreuil-sur-Mer, which the review describes as "a une centaine de kilometres de Lille". A NOTE.md has been left beside the files saying so. Completeness. The single mp3 decodes to 1:19:57, against the review's "une heure vingt" for the whole piece. Orchestra left unset on purpose. The only ensemble credit either source gives is the review's bare "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)". That reads as a description rather than a name, and nothing else names the band, so recording it would have findopera assert an ensemble that may not exist under that title. Scope and billing. findopera already holds the work as opera 1773 (Terrasse), so this is a filing, not a new opera. The opera had no characters recorded at all; the five in this cast were created from the sources above. The title figure -- the diver's fiancee -- is Elisa, who is in the cast and sings, so she carries top billing along with La Baronne and Le Baron Alexis, the order the folder itself bills. Composer note. The ConcertoNet review prints "Claude Terrasse (1897-1923)" and that error has propagated into the arrival path of this folder. findopera has him right at 1867-1923; no change was made. Not in findopera before this: `search recording "fiancee du scaphandrier"` returned nothing, and opera 1773 had no recordings.

Claude Terrasse, "La fiancee du scaphandrier" (bouffonnerie lyrique, 1902, libretto by Franc-Nohain). Les Malins Plaisirs, new production directed by Vincent Tavernier, Theatre de Montreuil-sur-Mer, August 2003; Benjamin Levy conducting (and playing percussion), in Takenori Nemoto's reorchestration. Sources, both saved with the recording. (1) ConcertoNet, review by Christophe Vetter, "Terrasse, un oublie de la Belle Epoque" (in the folder as "review.php.htm", and still live at http://www.concertonet.com/scripts/review.php?ID_review=2029 ). It gives the cast by role -- Marie-Louise Duthoit (Elisa), Emmanuelle Goize (La Baronne), Loic Boissier (Le Baron Alexis), Christophe Grapperon (Julot), Sebastien Lagrave (Le cantonnier Bezard) -- plus "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)", Nicolas Ducloux (chef de chant), Takenori Nemoto (reorchestration), and gives the work's playing time as "une heure vingt". A review is written after the night, so it beats the company's own advance page on the cast. (2) The company's own production page (in the folder as "info.htm"), headed "Les Malins Plaisirs - 12 au 27 aout 2003 - Montreuil-sur-mer", naming the same five singers under "Avec :" with Levy, Tavernier and Ducloux. Date. The performance is one of five nights, and nothing in the folder or in either source says which, so `day` is deliberately left unset. The two sources agree on the run: the company page lists "mardi 12 aout a 21h / mardi 19 aout a 18h30 / vendredi 22 aout a 18h30 / lundi 25 aout a 18h30 / mercredi 27 aout a 21h", and the ConcertoNet header reads "08/12/2003 - et les 19, 22*, 25 et 27 aout 2003", i.e. the same five dates with 12 August written American-style and an asterisk on the night the reviewer attended. Month and year are therefore firm; the day is not. Place. The folder name says "Lille". That is ConcertoNet's regional heading, not the venue: both sources put the performances in the theatre at Montreuil-sur-Mer, which the review describes as "a une centaine de kilometres de Lille". A NOTE.md has been left beside the files saying so. Completeness. The single mp3 decodes to 1:19:57, against the review's "une heure vingt" for the whole piece. Orchestra left unset on purpose. The only ensemble credit either source gives is the review's bare "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)". That reads as a description rather than a name, and nothing else names the band, so recording it would have findopera assert an ensemble that may not exist under that title. Scope and billing. findopera already holds the work as opera 1773 (Terrasse), so this is a filing, not a new opera. The opera had no characters recorded at all; the five in this cast were created from the sources above. The title figure -- the diver's fiancee -- is Elisa, who is in the cast and sings, so she carries top billing along with La Baronne and Le Baron Alexis, the order the folder itself bills. Composer note. The ConcertoNet review prints "Claude Terrasse (1897-1923)" and that error has propagated into the arrival path of this folder. findopera has him right at 1867-1923; no change was made. Not in findopera before this: `search recording "fiancee du scaphandrier"` returned nothing, and opera 1773 had no recordings.

Claude Terrasse, "La fiancee du scaphandrier" (bouffonnerie lyrique, 1902, libretto by Franc-Nohain). Les Malins Plaisirs, new production directed by Vincent Tavernier, Theatre de Montreuil-sur-Mer, August 2003; Benjamin Levy conducting (and playing percussion), in Takenori Nemoto's reorchestration. Sources, both saved with the recording. (1) ConcertoNet, review by Christophe Vetter, "Terrasse, un oublie de la Belle Epoque" (in the folder as "review.php.htm", and still live at http://www.concertonet.com/scripts/review.php?ID_review=2029 ). It gives the cast by role -- Marie-Louise Duthoit (Elisa), Emmanuelle Goize (La Baronne), Loic Boissier (Le Baron Alexis), Christophe Grapperon (Julot), Sebastien Lagrave (Le cantonnier Bezard) -- plus "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)", Nicolas Ducloux (chef de chant), Takenori Nemoto (reorchestration), and gives the work's playing time as "une heure vingt". A review is written after the night, so it beats the company's own advance page on the cast. (2) The company's own production page (in the folder as "info.htm"), headed "Les Malins Plaisirs - 12 au 27 aout 2003 - Montreuil-sur-mer", naming the same five singers under "Avec :" with Levy, Tavernier and Ducloux. Date. The performance is one of five nights, and nothing in the folder or in either source says which, so `day` is deliberately left unset. The two sources agree on the run: the company page lists "mardi 12 aout a 21h / mardi 19 aout a 18h30 / vendredi 22 aout a 18h30 / lundi 25 aout a 18h30 / mercredi 27 aout a 21h", and the ConcertoNet header reads "08/12/2003 - et les 19, 22*, 25 et 27 aout 2003", i.e. the same five dates with 12 August written American-style and an asterisk on the night the reviewer attended. Month and year are therefore firm; the day is not. Place. The folder name says "Lille". That is ConcertoNet's regional heading, not the venue: both sources put the performances in the theatre at Montreuil-sur-Mer, which the review describes as "a une centaine de kilometres de Lille". A NOTE.md has been left beside the files saying so. Completeness. The single mp3 decodes to 1:19:57, against the review's "une heure vingt" for the whole piece. Orchestra left unset on purpose. The only ensemble credit either source gives is the review's bare "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)". That reads as a description rather than a name, and nothing else names the band, so recording it would have findopera assert an ensemble that may not exist under that title. Scope and billing. findopera already holds the work as opera 1773 (Terrasse), so this is a filing, not a new opera. The opera had no characters recorded at all; the five in this cast were created from the sources above. The title figure -- the diver's fiancee -- is Elisa, who is in the cast and sings, so she carries top billing along with La Baronne and Le Baron Alexis, the order the folder itself bills. Composer note. The ConcertoNet review prints "Claude Terrasse (1897-1923)" and that error has propagated into the arrival path of this folder. findopera has him right at 1867-1923; no change was made. Not in findopera before this: `search recording "fiancee du scaphandrier"` returned nothing, and opera 1773 had no recordings.

Claude Terrasse, "La fiancee du scaphandrier" (bouffonnerie lyrique, 1902, libretto by Franc-Nohain). Les Malins Plaisirs, new production directed by Vincent Tavernier, Theatre de Montreuil-sur-Mer, August 2003; Benjamin Levy conducting (and playing percussion), in Takenori Nemoto's reorchestration. Sources, both saved with the recording. (1) ConcertoNet, review by Christophe Vetter, "Terrasse, un oublie de la Belle Epoque" (in the folder as "review.php.htm", and still live at http://www.concertonet.com/scripts/review.php?ID_review=2029 ). It gives the cast by role -- Marie-Louise Duthoit (Elisa), Emmanuelle Goize (La Baronne), Loic Boissier (Le Baron Alexis), Christophe Grapperon (Julot), Sebastien Lagrave (Le cantonnier Bezard) -- plus "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)", Nicolas Ducloux (chef de chant), Takenori Nemoto (reorchestration), and gives the work's playing time as "une heure vingt". A review is written after the night, so it beats the company's own advance page on the cast. (2) The company's own production page (in the folder as "info.htm"), headed "Les Malins Plaisirs - 12 au 27 aout 2003 - Montreuil-sur-mer", naming the same five singers under "Avec :" with Levy, Tavernier and Ducloux. Date. The performance is one of five nights, and nothing in the folder or in either source says which, so `day` is deliberately left unset. The two sources agree on the run: the company page lists "mardi 12 aout a 21h / mardi 19 aout a 18h30 / vendredi 22 aout a 18h30 / lundi 25 aout a 18h30 / mercredi 27 aout a 21h", and the ConcertoNet header reads "08/12/2003 - et les 19, 22*, 25 et 27 aout 2003", i.e. the same five dates with 12 August written American-style and an asterisk on the night the reviewer attended. Month and year are therefore firm; the day is not. Place. The folder name says "Lille". That is ConcertoNet's regional heading, not the venue: both sources put the performances in the theatre at Montreuil-sur-Mer, which the review describes as "a une centaine de kilometres de Lille". A NOTE.md has been left beside the files saying so. Completeness. The single mp3 decodes to 1:19:57, against the review's "une heure vingt" for the whole piece. Orchestra left unset on purpose. The only ensemble credit either source gives is the review's bare "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)". That reads as a description rather than a name, and nothing else names the band, so recording it would have findopera assert an ensemble that may not exist under that title. Scope and billing. findopera already holds the work as opera 1773 (Terrasse), so this is a filing, not a new opera. The opera had no characters recorded at all; the five in this cast were created from the sources above. The title figure -- the diver's fiancee -- is Elisa, who is in the cast and sings, so she carries top billing along with La Baronne and Le Baron Alexis, the order the folder itself bills. Composer note. The ConcertoNet review prints "Claude Terrasse (1897-1923)" and that error has propagated into the arrival path of this folder. findopera has him right at 1867-1923; no change was made. Not in findopera before this: `search recording "fiancee du scaphandrier"` returned nothing, and opera 1773 had no recordings.

Claude Terrasse, "La fiancee du scaphandrier" (bouffonnerie lyrique, 1902, libretto by Franc-Nohain). Les Malins Plaisirs, new production directed by Vincent Tavernier, Theatre de Montreuil-sur-Mer, August 2003; Benjamin Levy conducting (and playing percussion), in Takenori Nemoto's reorchestration. Sources, both saved with the recording. (1) ConcertoNet, review by Christophe Vetter, "Terrasse, un oublie de la Belle Epoque" (in the folder as "review.php.htm", and still live at http://www.concertonet.com/scripts/review.php?ID_review=2029 ). It gives the cast by role -- Marie-Louise Duthoit (Elisa), Emmanuelle Goize (La Baronne), Loic Boissier (Le Baron Alexis), Christophe Grapperon (Julot), Sebastien Lagrave (Le cantonnier Bezard) -- plus "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)", Nicolas Ducloux (chef de chant), Takenori Nemoto (reorchestration), and gives the work's playing time as "une heure vingt". A review is written after the night, so it beats the company's own advance page on the cast. (2) The company's own production page (in the folder as "info.htm"), headed "Les Malins Plaisirs - 12 au 27 aout 2003 - Montreuil-sur-mer", naming the same five singers under "Avec :" with Levy, Tavernier and Ducloux. Date. The performance is one of five nights, and nothing in the folder or in either source says which, so `day` is deliberately left unset. The two sources agree on the run: the company page lists "mardi 12 aout a 21h / mardi 19 aout a 18h30 / vendredi 22 aout a 18h30 / lundi 25 aout a 18h30 / mercredi 27 aout a 21h", and the ConcertoNet header reads "08/12/2003 - et les 19, 22*, 25 et 27 aout 2003", i.e. the same five dates with 12 August written American-style and an asterisk on the night the reviewer attended. Month and year are therefore firm; the day is not. Place. The folder name says "Lille". That is ConcertoNet's regional heading, not the venue: both sources put the performances in the theatre at Montreuil-sur-Mer, which the review describes as "a une centaine de kilometres de Lille". A NOTE.md has been left beside the files saying so. Completeness. The single mp3 decodes to 1:19:57, against the review's "une heure vingt" for the whole piece. Orchestra left unset on purpose. The only ensemble credit either source gives is the review's bare "Ensemble Orchestral, Benjamin Levy (percussions et direction musicale)". That reads as a description rather than a name, and nothing else names the band, so recording it would have findopera assert an ensemble that may not exist under that title. Scope and billing. findopera already holds the work as opera 1773 (Terrasse), so this is a filing, not a new opera. The opera had no characters recorded at all; the five in this cast were created from the sources above. The title figure -- the diver's fiancee -- is Elisa, who is in the cast and sings, so she carries top billing along with La Baronne and Le Baron Alexis, the order the folder itself bills. Composer note. The ConcertoNet review prints "Claude Terrasse (1897-1923)" and that error has propagated into the arrival path of this folder. findopera has him right at 1867-1923; no change was made. Not in findopera before this: `search recording "fiancee du scaphandrier"` returned nothing, and opera 1773 had no recordings.